This series presents a collection of brief and intimate narratives, capturing fleeting moments of everyday life within a minimalist aesthetic where storytelling emerges through the composition of light and emptiness. I often approach empty space as a witness, fascinated by human presence even when it remains imperceptible; through my gaze, I reconstruct a reality that is sometimes fictional in order to frame my compositions.

I explore notions of memory and the passage of time, conceiving visual composition as a musical score in which the dialogue between rhythm and form defines the essence of my approach, seeking to suspend time in homage to melancholy.