My artistic research is rooted in photography, through which I build a visual language shaped by cinema and classical painting. I work with natural light and analog film because I need slowness; this rhythm allows me to approach each image with care and to remain faithful to both form and emotion. Emptiness, silence, and absence are part of its structure. Even when a space is empty, it holds memory. Through simple gestures, precise framing, and controlled light, I create images that stand on the threshold between presence and disappearance. I do not seek to invent reality, but to distill it, so that fragility and vulnerability can quietly emerge.

Portraiture is central to my practice. I approach the people I photograph with attention and respect, building intimacy through conversation, observation, and time spent within their everyday environments. Trust is essential; it allows a presence to unfold naturally in front of the camera. When I work with actors, I guide gesture and movement, exploring the body as a space of rhythm and expression, always searching for a balance between control and spontaneity.

Each documentary project begins with research and immersion. I spend time listening and observing before photographing. This process shapes the rhythm and depth of the work and allows the images to grow out of lived experience rather than from a fixed idea. I work within a long temporality, letting relationships develop and meanings surface gradually, so that the visual form remains inseparable from the human encounter at its origin.