My practice moves between photography and cinema, focusing on memory, light, and the architecture of time and space.

My work moves within the tension between narration and abstraction, tradition and contemporaneity, with particular attention to cinematic composition and natural light as quiet forces structuring my images. Working primarily with analog medium-format photography, I embrace slowness and materiality as a way of allowing images to breathe and time to settle.

My documentary practice unfolds through immersion and attentive presence, letting each project find its own rhythm and depth. Reality is engaged through a subjective lens, seeking a delicate balance between observation and interpretation, where human presence emerges beyond appearance.

Portraiture, silence, and absence occupy a central place in my work. Spaces, even when emptied of figures, become vessels of memory and invisible resonance.

Between observation and projection, my images invite the viewer into a contemplative territory where light, time, and memory quietly converge.